GULF COAST SPLASH 30" x 30" Oil on Canvas This painting is the result of my sitting on a sea wall at a friend's house located on the intercoastal canal in Port Aransas, Texas. Staring at the splashes against the rocks is hypnotizing. Like snow flakes, no two splashes are alike. As a result of a trip to the west coast many years ago and watching the waves break on the beach, I painted a wave. This painting reminded me of that similar experience. Toni, do you remember buying that wave for your son's wedding gift? The colors on our Texas Gulf Coast can't compare with the incredible blue of the Pacific Ocean, but I borrowed a little of that color for my Texas splash. Artist'd Privilege! MUSEUM SHOW: At the GETTY CENTER in Los Angeles until February 28 is "Rembrandt and His Pupils: Telling the Difference". If you can't make the trip, do as I did. The interactive on the Getty's web site allows zooming in on the images. You can test yourself b...
The following 6 images complete my "close-ups" from nature. My intention in these works on paper has been to make ordinary things appear extraordinary, or at least important. To see with the artist's eye means to find and concentrate on what attracts one to a subject or a scene. I have attempted to isolate what is attractive to me in each of the following examples. Often it is motion, perspective, color, line, shapes or shadows. All 12 works were photographed and then painted with oil on paper in my studio. Austin's recent triple digit temperatures have made plein aire work less appealing than working in the studio. Paintings are matted in white museum board, beveled and available for purchase. When matted the dimensions are 20 x 26.
ARMADILLO WORLD HEADAQUARTERS In my day Austin was ethnically divided by East Avenue. In 1960, Interstate 35 replaced this street. Today singles, couples, families, artists and musicians flock to live and operate in the convenient downtown neighborhoods east of US Interstate 35 displacing many of the older and earlier residents. Another coveted place to locate today is south of the river. Hip restaurants, bars, upscale hotels and residences are displacing the cowboy and red neck residents, the quirky retail stores and the souvenir shops that were there previously. In 1960 Austin was awash with hippies. The Armadillo World Headquarters (1970-1981) was Austin's legendary concert hall located on Barton Springs Road across the street from where the Long Center is located today. Eddie Wilson with Jesse Sublet(*) transformed an abandoned National Guard Armory into a music venue that was instrumental (pun intended) for Austin becoming the "The Music Capital of the World". It...
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