EARLY SPRING 24 X 24

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Carole's FEBRUARY BLOG

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GULF COAST SPLASH 30" x 30" Oil on Canvas This painting is the result of my sitting on a sea wall at a friend's house located on the intercoastal canal in Port Aransas, Texas. Staring at the splashes against the rocks is hypnotizing. Like snow flakes, no two splashes are alike. As a result of a trip to the west coast many years ago and watching the waves break on the beach, I painted a wave. This painting reminded me of that similar experience. Toni, do you remember buying that wave for your son's wedding gift? The colors on our Texas Gulf Coast can't compare with the incredible blue of the Pacific Ocean, but I borrowed a little of that color for my Texas splash. Artist'd Privilege! MUSEUM SHOW: At the GETTY CENTER in Los Angeles until February 28 is "Rembrandt and His Pupils: Telling the Difference". If you can't make the trip, do as I did. The interactive on the Getty's web site allows zooming in on the images. You can test yourself b...
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DECEMBER BLOG 2010

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Almost one year ago I posted an image of a painting that I call MOTION on my January blog. I was never completely satisfied with it but liked it enough to continiue to look for solutions. I spent an inordinate amount of time sitting and staring at the painting. I hauled it ( it is 30" x 30") to a meeting of some Austin painting friends where we share criticism of one another's work. Then finally months later, I placed it on my easel, took brush in hand and modified it enough to call it done. I would love some feedback from you readers who would go to the http://www.carolesikes.blogspot.com/ , scroll down to the painting below the HAPPY NEW YEAR on last January's blog and tell me which version you like best. A common dilemma of many if not most painters is knowing when to stop. Often when one is having fun moving paint around, the painting can become overworked. This one was a great challenge and I like nothing better. Other paintings seem to slide right onto the can...
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WATER CIRCULATING 14 X 20

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The following 6 images complete my "close-ups" from nature. My intention in these works on paper has been to make ordinary things appear extraordinary, or at least important. To see with the artist's eye means to find and concentrate on what attracts one to a subject or a scene. I have attempted to isolate what is attractive to me in each of the following examples. Often it is motion, perspective, color, line, shapes or shadows. All 12 works were photographed and then painted with oil on paper in my studio. Austin's recent triple digit temperatures have made plein aire work less appealing than working in the studio. Paintings are matted in white museum board, beveled and available for purchase. When matted the dimensions are 20 x 26.
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